REDES ELECTRICAS

HISTORICAL BACKGROUND

Our approach to the project has a particular and sensitive focus around the sensory perception of the unity of life. In the process of its composition, we remember the emotion and experience conveyed by the painting «San Girolamo nello studio» by Antonello de Messina. This work reflects the value and role of furniture in recreating an atmosphere and the comfort of a space; when we contemplate it, we see San Jerónimo in a stone and colossal building: however, he appears to be in a home study, he is very comfortable writing. We guess this is due to the presence of wooden furniture, which is responsible for balancing the scale to provide shelter and warmth for human activity. This can also be seen in Louis Kahn’s Fisher House, in this case, the structure of the facade and the wooden furniture complement each other and agree to transcribe this atmosphere in the place. Our living unit transcribes this reflection in its spatial quality, the space has a stone coating given by the concrete whose living dynamics is defined by the furniture and wood finishes. A calm, welcoming and serene atmosphere for an elderly person.

2. EMPLACEMENT

The Foundation Boissonnet is a common point between the natural and architectural heritage of the place: on the most concave edge of the property (south-west) there is a multi-scalar tree node that weaves a continuous physical and visual relationship with the Bois de Sauvabelin, while in The less concave edge northeast-rests on the maison «mère», a symbolic and identity referent of traditional architecture that represents a landmark of reference and transition between Chem, de Boissonnet, Chem, des Abeilles and Chem. de la Fourmi streets

1. PLACE

The Foundation Boissonnet is a common point between the natural and architectural heritage of the place: on the most concave edge of the property (south-west) there is a multi-scalar tree node that weaves a continuous physical and visual relationship with the Bois de Sauvabelin, while in The less concave edge northeast-rests on the maison «mère», a symbolic and identity referent of traditional architecture that represents a landmark of reference and transition between Chem. de Boissonnet, Chem. des Abeilles and Chem. de la Fourmi streets.